ENITHARMON WEAVES

In prosaic terms the work of Los (time) and Enitharman (space) is preparing Souls for regeneration.

Milton,PLATE 29 [31],(E 128)
"On Albions Rock Los stands creating the glorious Sun each morning
And when unwearied in the evening he creates the Moon
Death to delude, who all in terror at their splendor leaves
His prey while Los appoints, & Rintrah & Palamabron guide
The Souls clear from the Rock of Death, that Death himself may wake
In his appointed season when the ends of heaven meet.

Then Los conducts the Spirits to be Vegetated, into
Great Golgonooza, free from the four iron pillars of Satans Throne
(Temperance, Prudence, justice, Fortitude, the four pillars of tyranny)
That Satans Watch-Fiends touch them not before they Vegetate.

But Enitharmon and her Daughters take the pleasant charge.
To give them to their lovely heavens till the Great Judgment Day
Such is their lovely charge."

Four Zoas, Night the Eighth, Page 100, (E 372):
"Then Enitharmon erected Looms in Lubans Gate
And calld the Looms Cathedron in these Looms She wove the Spectres
Bodies of Vegetation Singing lulling Cadences to drive away
Despair from the poor wandering spectres "

The weaving activity which is a recurring theme in Blake is complicated by the possibilities of providing either a positive or negative body. Enitharmon assumes the job of weaving bodies for the spectres of the dead in order to provide them with a means of regeneration through generation. She gives them bodies in mercy shaped by the virtues of love, hope, forgiveness, understanding and faith. Rahab is simultaneously counteracting Enitharmon's work by changing love to hate, hope to despair, forgiveness to retribution, understanding to jealousy, and faith to doubt.

Jerusalem, Plate 21, (E 166)
[Los speaking]
"Shame divides Families. Shame hath divided Albion in sunder!
First fled my Sons, & then my Daughters, then my Wild Animations
My Cattle next, last ev'n the Dog of my Gate. the Forests fled
The Corn-fields, & the breathing Gardens outside separated
The Sea; the Stars: the Sun: the Moon: drivn forth by my disease
All is Eternal Death unless you can weave a chaste
Body over an unchaste Mind! Vala! O that thou wert pure!
That the deep wound of Sin might be clos'd up with the Needle,
And with the Loom: to cover Gwendolen & Ragan with costly Robes
Of Natural Virtue, for their Spiritual forms without a Veil
Wither in Luvahs Sepulcher."

Comparing these passages we may get an inkling of the difficulty of journeying through the world of generation: the world of a spirit enclosed in a body. The pull of the world of matter is toward self preservation, selfishness, the selfhood. The material surface fails to recognize the spiritual substance. The Vala who looks after her own interests is the unchaste Mind which cannot be expressed in a chaste - unselfish body. Enitharmon is attempting to weave the spiritual body over a mind which has not yet grown spiritual. Los in his furnaces is preparing the mind through enduring the affliction of experience through which error can be extinguished allowing the perception of the infinite, Jesus.

The work of Los and Enitharmon is finished when Christ consciousness has replaced ego consciousness.

Percival (William Blake's Circle of Destiny):
"Though the burden of regeneration is placed upon Los and Enitharmon, the pivotal figure of the scheme is Christ. He is the only God, the divine humanity, the existence itself. When man lives by Urizen's 'beast-formed science' he is in nonexistence. The change from nonexistence to existence - the change from Satan to Christ - is accomplished when Enitharmon out of pity weaves the generative body of Christianity for the Spectre. In doing so both she and Los comprehend that the peace of mankind is to be achieved by their own extinction. The prophetic race which preached the wrath of God will come to an end. The Christ, as seen in their self-sacrificial pity, has been achieved. Nonexistence has been exchanged for existence. The sexual world has become the generative world, and so a mortal world which passes out of existence that man may become immortal. Clothed in the habiliments of the Elect, the Redeemed, and the Reprobate, the newly 'created' cross the Arnon and pass our of Moab into Cannan, out of the kingdom of Satan int the kingdom of Christ. Albion begins to awaken upon his couch." (page 231)



JERUSALEM PLATE 100




The summation of the whole process is presented in this passage:

Four Zoas, PAGE 113 (FIRST PORTION),(E 376)
In Golgonooza Los's anvils stand & his Furnaces rage
Ten thousand demons labour at the forges Creating Continually
The times & spaces of Mortal Life the Sun the Moon the Stars
In periods of Pulsative furor beating into wedges & bars
Then drawing into wires the terrific Passions & Affections
Of Spectrous dead. Thence to the Looms of Cathedron conveyd
The Daughters of Enitharmon weave the ovarium & the integument
In soft silk drawn from their own bowels in lascivious delight
With songs of sweetest cadence to the turning spindle & reel
Lulling the weeping spectres of the dead. Clothing their limbs
With gifts & gold of Eden. Astonishd stupefied with delight
The terrors put on their sweet clothing on the banks of Arnon
Whence they plunge into the river of space for a period till
The dread Sleep of Ulro is past. But Satan Og & Sihon
Build Mills of resistless wheels to unwind the soft threads & reveal
Naked of their clothing the poor spectres before the accusing heavens
While Rahab & Tirzah far different mantles prepare webs of torture
...
They unweave the soft threads then they weave them anew in the forms
Of dark death & despair & none from Eternity to Eternity could Escape
But thou O Universal Humanity who is One Man blessed for Ever
Recievest the Integuments woven Rahab beholds the Lamb of God
She smites with her knife of flint She destroys her own work
Times upon times thinking to destroy the Lamb blessed for Ever
He puts off the clothing of blood he redeems the spectres from their bonds
He awakes the sleepers in Ulro the Daughters of Beulah praise him
They anoint his feet with ointment they wipe them with the hair
of their head "

BLAKE AS PILGRIM

Blake made one illustration to Pilgrim's Progress which is not considered to be a part of the 28 plate series which Norvig focused her attention on. It belongs to the National Gallery of Art in Washington, DC rather than to the Frick Collection in New York. It was once called A Warrior with Angels but now goes by the name of Christian with the Shield of Faith, Taking Leave of His Companions.



















A friend has made the observation that the central character in this image which represents Christian, has the appearance of William Blake himself as a young man. Perhaps Blake cast himself and his loved ones or his characters in the roles of Christian and his companions. The appearance of Christian in this image does not resemble Christian in the series, and these companions don't appear elsewhere in the illustration to Pilgrim's Progress.

If Blake identified with Bunyan's Christian and inserted himself in an illustration, who would be the lovely ladies who accompany him? Could one be Catherine (the one to Blake's left), his companion in life, his Enitharmon? I suggest that the woman to Christian's (Blake's) right is his Jerusalem the source of his inspiration and imagination, the Divine Vision which he recognized in every individual. Vala the shadow of Jerusalem is shown perhaps as the woman behind Jerusalem in the second tier. The fourth woman who is reaching upward as if a connecting link to the Celestial City may be Enion of whom Damon says "The eternal [not the temporal] Enion rises in the dawn of the third day, in a whirlwind...she casts off her death-clothes, for the winter is gone, and all nature is rejuvenated. Tharmas embraces her and raises her through the heavens, sounding his trumpet to wake the dead." These identifications would turn the image into an illustration for Blake's life and myth rather than for Bunyan's allegory.

Jerusalem, PLATE 54 (E 203)
"In Great Eternity, every particular Form gives forth or Emanates
Its own peculiar Light, & the Form is the Divine Vision
And the Light is his Garment This is Jerusalem in every Man
A Tent & Tabernacle of Mutual Forgiveness Male & Female
Clothings.
And Jerusalem is called Liberty among the Children of Albion"

Jerusalem, PLATE 39 [44],(E 187)
"Man is adjoind to Man by his Emanative portion:
Who is Jerusalem in every individual Man: and her
Shadow is Vala, builded by the Reasoning power in Man
O search & see: turn your eyes inward: open O thou World
Of Love & Harmony in Man: expand thy ever lovely Gates."

If Blake broke away from the overall structure of his series, it is understandable that he would withdraw the illustration from the series. It would have become his personal record of his role as a pilgrim or traveller to Eternity.

Blake's ideas about the destination of the traveller are different from Bunyan's since Bunyan was a Puritan who adhered to the doctrine of predestination including eternal damnation. Bake's traveller's journey would not be measured by moral virtue or inclusion in the class of the elect. Blake would not be receptive to the accumulation of doctrine through which the Puritans sought to regulate and demonstrate their status as among the saved. Bunyan stopped short of the entry into the divine province by his dreamer, although the pilgrims entered the city after crossing the river of death. Bunyan's Celestial City was to be the destiny in the afterlife of those who followed the path outlined for the repentant sinner. One of Bunyan's final scenes shows that one ignorant of the requirements of that route would find himself destined for hell. In contrast Blake's teaching was that error would be annihilated so that all may experience Eternity through connecting with the inner Divinity (that of God in every man as Quakers say.)

Consider the words in the following passage from the beginning of Jerusalem as Blake's response to Bunyan's dreamer who followed the journey of the pilgrim. Awake from the dream that 'states' through which men pass are human existence. Awake from the image of God as afar rather than within. Awake from the idea that Evil must be punished rather than forgiven. Awake to the idea that the Emanation is to be interiorized not projected or rejected.

Jerusalem, Plate 4,(E 146)
"Awake! awake O sleeper of the land of shadows, wake! expand!
I am in you and you in me, mutual in love divine:
Fibres of love from man to man thro Albions pleasant land.
In all the dark Atlantic vale down from the hills of Surrey
A black water accumulates, return Albion! return!
Thy brethren call thee, and thy fathers, and thy sons,
Thy nurses and thy mothers, thy sisters and thy daughters
Weep at thy souls disease, and the Divine Vision is darkend:
Thy Emanation that was wont to play before thy face,
Beaming forth with her daughters into the Divine bosom
[Where!!]
Where hast thou hidden thy Emanation lovely Jerusalem
From the vision and fruition of the Holy-one?
I am not a God afar off, I am a brother and friend;
Within your bosoms I reside, and you reside in me:
Lo! we are One; forgiving all Evil; Not seeking recompense!
Ye are my members O ye sleepers of Beulah, land of shades!"

MID LIFE CRISIS

The parallels are so apparent in the thinking of Jung and Blake that we must recognize that they were under many of the same influences. I have been looking for ways in which Jung's insights are apparent in Blake's writing and have found what I was looking for. Each of the men had immersed himself in the perennial philosophy. Each was introverted and intuitive. Each had experienced a mid-life crisis which involved new self-awareness and new prioritization. The internal and external experiences of the two men led them to understand their own mental landscape and to extrapolate it to humanity. Coming from different perspectives and using different disciplines, they were each led to awareness of congruent interpretations of the nature of man and God.

I have found it a worthwhile enterprise is to read Blake looking for Jungian ideas, and to read Jung looking for Blakean ideas. The minds of two giants give insight into the messages of the other.

David L. Hart writing in The Cambridge Compannion to Jung, edited by Polly Young-Eisendrathand Terence Dawson gives an overview of the process of psychological development as seen by Jung on page 100:

"In a general way the whole development of an individual's life is seen by Jung as a gradual emergence out of the ego's control and into the realm of the Self - out of merely personal values and into those of more impersonal and collective meaning. The first half of life normally devoted to establishing a secure place in the world; education, profession, family, a personal identity. But at mid-life that crisis threatens whose ubiquity and importance Jung helped to clarify in the public mind. It is at bottom a spiritual crisis, the challenge to seek and discover the meaning of life. To meet this challenge, none of the tools of the first half of life are adequate. It is not a question of further conquests or acquisitions; it is more a question of exploration of the soul, for its own sake, letting go of the familiar demands of the ego to be fed and gratified. Therefore it is often felt as a loss, and is often powerfully resisted; and yet the psyche, with its own powerful demand to be realized, will persist in confronting consciousness with new and unheard-of views of life's meanings and possibilities. It is here that Jung sees the real work of individuation beginning, for from this point on, everything depends on the broadening of consciousness. Without a real sense that this change carries the true meaning of one's life, and a willingness to take on the inner voyage of discovery, one can fall into despair and a repetitive existence, which in effect only marks time until the end. The challenge of the second half of life is to prepare for death in a questioning, seeking, and conscious way accepting both the pain of disillusionment and the wonder of growth into ever new views of spiritual and psychological reality."



The following passage can be seen as describing Los's mid-life crisis. It focuses on Los' recognition of the contribution he made to his alienation from Enitharmon, the benefits he becomes aware of in cooperation, and the positive outcome that results from working together. Blake uses this incident as a turning point in his myth leading to the climactic restructuring of regeneration.



Four Zoas, Page 98 [90], (E 369)
"O Enitharmon
Couldst thou but cease from terror & trembling & affright
When I appear before thee in forgiveness of ancient injuries
Why shouldst thou remember & be afraid. I surely have died in pain
Often enough to convince thy jealousy & fear & terror
Come hither be patient let us converse together because
I also tremble at myself & at all my former life
...
Enitharmon spread her beaming locks upon the wind & said
O Lovely terrible Los wonder of Eternity O Los my defence & guide
Thy works are all my joy. & in thy fires my soul delights
If mild they burn in just proportion & in secret night
And silence build their day in shadow of soft clouds & dews
Then I can sigh forth on the winds of Golgonooza piteous forms
That vanish again into my bosom but if thou my Los
Wilt in sweet moderated fury. fabricate forms sublime
Such as the piteous spectres may assimilate themselves into
They shall be ransoms for our Souls that we may live...
But Los loved them & refusd to Sacrifice their infant limbs
And Enitharmons smiles & tears prevaild over self protection
They rather chose to meet Eternal death than to destroy
The offspring of their Care & Pity Urthonas spectre was comforted
But Tharmas most rejoicd in hope of Enions return
For he beheld new Female forms born forth upon the air
Who wove soft silken veils of covering in sweet rapturd trance
Mortal & not as Enitharmon without a covering veil

First his immortal spirit drew Urizen[s] Shadow away
From out the ranks of war separating him in sunder
Leaving his Spectrous form which could not be drawn away
Then he divided Thiriel the Eldest of Urizens sons
Urizen became Rintrah Thiriel became Palamabron
Thus dividing the powers of Every Warrior
Startled was Los he found his Enemy Urizen now
In his hands. he wonderd that he felt love & not hate
His whole soul loved him he beheld him an infant
Lovely breathd from Enitharmon he trembled within himself

End of The Seventh Night "

TERROR & WOE

Four Zoas, Night VII, Page 84, (E 359)

"This thou well rememberest listen I will tell
What thou forgettest. They in us & we in them alternate Livd
Drinking the joys of Universal Manhood. One dread morn
Listen O vision of Delight One dread morn of goary blood
The manhood was divided for the gentle passions making way
Thro the infinite labyrinths of the heart & thro the nostrils issuing
In odorous stupefaction stood before the Eyes of Man
A female bright. I stood beside my anvil dark a mass
Of iron glowd bright prepard for spades & plowshares. sudden down
I sunk with cries of blood issuing downward in the veins
Which now my rivers were become rolling in tubelike forms
Shut up within themselves descending down I sunk along,
The goary tide even to the place of seed & there dividing
I was divided in darkness & oblivion thou an infant woe
And I an infant terror in the womb of Enion
My masculine spirit scorning the frail body issud forth
From Enions brain In this deformed form leaving thee there
Till times passd over thee but still my spirit returning hoverd
And formd a Male to be a counterpart to thee O Love
Darkend & Lost In due time issuing forth from Enions womb
Thou & that demon Los wert born Ah jealousy & woe
Ah poor divided dark Urthona now a Spectre wandering
The deeps of Los the Slave of that Creation I created
I labour night & day for Los but listen thou my vision
I view futurity in thee I will bring down soft Vala
To the embraces of this terror & I will destroy
That body I created then shall we unite again in bliss"

From the Seventh Night of the Four Zoas we have one of several accounts of the origin of Los, Enitharmon and the Spectre of Urthona. The eternal Zoa Urthona, first has his manhood divided from the gentle passions resulting in the externalization of the female. Urthona begins to manifest internal changes as he continues his work at his furnaces. The masculine spirit issues from Enion's brain. Times passed until Enitharmon issued from Enion's womb. The division into the 'infant terror', Los and the 'infant woe', Enitharmon leaves Urthona as a Spectre.

Illustrations to Gray's Poems, Page 78


Looking at this situation from the perspective of Los as the Imagination, the division has left the imagination without its inspiration which should be supplied by the Emanation and the instrumentality which could be supplied by the Spectre.



Frye, on page 294 of Fearful Symmetry, explains some of the consequences of the division and separation of the unified Zoa Urthona:
"In creation, therefore, the Spectre of Urthona is the inventive faculty, and invention is the art of finding things in nature: it does not create so much as supply the instruments for creating. The Spectre of Urthona, properly controlled, is the obedient demon who brings his master the fire and metals and other physical needs of culture, and brings the artist his technical skill...But once separated from creative and imaginative ends, the instrumental becomes an end in itself, its criteria of use and value are made absolute principles, its media, such as money, become more important than the things they circulate, and vast complications of tools and machines are produced out of sheer automatic compulsion to produce them."

Only the reunion of the disparate functions - the terror and the woe - can restore the bliss of integration.

FIERY ORC

None of Blake's characters is more complex or contradictory than is Orc. You may remember him as the first son of Los and Enitharmon who so aroused his father's jealousy that he was taken to a mountainside and chained to a rock. Los as prophecy was jealous of Orc as revolution. However Rintrah (just wrath), Palamabron (pity), Theomorton (frustrate desire), and Bromion (logic) are also identified as Los's first four sons which Damon explains as representing an analysis of Orc. (A Blake Dictionary, Page 309)

Orc's body became so enrooted to the rock that when his parents later tried to release him, they were unable to do so. As this passage notes he was the embodiment of the 'fires of Eternal Youth'.

Milton, Plate 29 [31], (E 127)
"But Rintrah & Palamabron govern over Day & Night
In Allamanda & Entuthon Benython where Souls wail:
Where Orc incessant howls burning in fires of Eternal Youth,
Within the vegetated mortal Nerves; for every Man born is joined
Within into One mighty Polypus, and this Polypus is Orc."



In this picture Orc is both the chained youth in the cruciform position and the figure enclosed underground in a fetal position. Orc has taken on his function as revolution which must be controlled. The potential for revolution which has erupted in the colonies and threatened Europe was expresed by Orc in the book America. Revolution which had been attractive to Blake in theory became repulsive to him when he saw it in actual practice in France.



America, PLATE 8, (E 54)
"The terror answerd: I am Orc, wreath'd round the accursed tree:
The times are ended; shadows pass the morning gins to break;
The fiery joy, that Urizen perverted to ten commands,
What night he led the starry hosts thro' the wide wilderness:
That stony law I stamp to dust: and scatter religion abroad
To the four winds as a torn book, & none shall gather the leaves;
But they shall rot on desart sands, & consume in bottomless
deeps;
To make the desarts blossom, & the deeps shrink to their
fountains,
And to renew the fiery joy, and burst the stony roof.
That pale religious letchery, seeking Virginity,
May find it in a harlot, and in coarse-clad honesty
The undefil'd tho' ravish'd in her cradle night and morn:
For every thing that lives is holy, life delights in life;
Because the soul of sweet delight can never be defil'd.
Fires inwrap the earthly globe, yet man is not consumd;
Amidst the lustful fires he walks: his feet become like brass,
His knees and thighs like silver, & his breast and head like
gold.
And Satan is the Spectre of Orc & Orc is the generate Luvah"

As the generate form of Luvah (emotion) which came into being as a result of the fall, Orc came under the dominion of Urizen the great lawgiver. As the dragon form, 'red Orc' is supressed energy seeking release. Suffering under the restraints of Urizen's system Orc explodes into revolution.

Milton Percival in William Blake's Circle of Destiny gives us this insight: "But, though the rational mind fears the fiery form of Orc, the imaginative mind knows that it is not evil, but rather an indictment of evil, a revelation of the mistaken character of the authority which has brought it into being. Orc is the personification of a deathless phenomenon, the spirit of revolution that arises when energy is repressed."

Urizen diverts Orc's energy into false religion, the Tree of Mystery, whereon Orc becomes the serpent and subsequently enters the state of Satan.

Four Zoas, Night viii, (E 380)
"The State namd Satan never can be redeemd in all Eternity
But when Luvah in Orc became a Serpent he des[c]ended into
That State calld Satan"

In the apocalypse Orc reverts to his eternal form Luvah and joins Jesus in ushering in the new age.

As always we can see the psyche of Blake being dealt with in his characters. Forces within seek expression in Blake's life; prophecy or imagination cannot let revolution take over dominance. The energy or revolution is a valuable asset but unfortunately cannot be released at will. Reason the conventional, conservative force may be able to control revolution, but to do so revolution's energy must be diverted in another direction since it can't be eliminated. This may lead to deeper degrees of error, since error given the freedom to act, will go to the extreme. Revolution is not permanent; it either subsides or or leads to a breaking up of the cycle and the initiation of a new paradigm.

Posted By ellie to William Blake: Religion and Psychology at 5/28/2010 06:41:00 AM

NATIVITY IV

Chorus of Angels

Since the first image we form of ourselves is that of a body, we may formulate the idea that at some point the spirit enters the body and begins to express itself through the body. But as Blake explains here, it is the bodies which are made for the spirits which pre-exist.

As Albion represents the Universal Man, Jerusalem represents the Universal Woman: the 'vast family wondrous in beauty and love.' Albion is fourfold, Jerusalem is unified: the expression of the Divine Vision within the Universal Man.

In this passage, Blake presents the idea that redemption begins when 'the Lamb of God' becomes visible within the Unified Spiritual Body which is Jerusalem. The song of the angels, sung when the birth of Jesus was announced to the shepherds, is echoed in Blake's verses at this point.

GOSPEL OF LUKE
2:8-12 - "There were some shepherds living in the same part of the country, keeping guard throughout the night over their flocks in the open fields. Suddenly an angel of the Lord stood by their side, the splendour of the Lord blazed around them, and they were terror-stricken. But the angel said to them, 'Do not be afraid! Listen, I bring you glorious news of great joy which is for all the people. This very day, in David's town, a Saviour has been born for you. He is Christ, the Lord. Let this prove it to you: you will find a baby, wrapped up and lying in a manger.'
2:13-14 - And in a flash there appeared with the angel a vast host of the armies of Heaven, praising God, saying, 'Glory to God in the highest Heaven! Peace upon earth among men of goodwill!'"

Four Zoas: Night the Eighth, Page 103 (E376):

"Enitharmon wove in tears Singing Songs of Lamentations
And pitying comfort as she sighd forth on the wind the spectres
And wove them bodies calling them her belovd sons and daughters
Employing the daughters in her looms & Los employd the Sons
In Golgonoozas Furnaces among the Anvils of time & space
Thus forming a Vast family wondrous in beauty & love
And they appeard a Universal female form created
From those who were dead in Ulro from the Spectres of the dead

PAGE 104 (FIRST PORTION)
And Enitharmon namd the Female Jerusa[le]m the holy
Wondring she saw the Lamb of God within Jerusalems Veil
The divine Vision seen within the inmost deep recess
Of fair Jerusalems bosom in a gently beaming fire

Then sang the Sons of Eden round the Lamb of God & said
Glory Glory Glory to the holy Lamb of God
Who now beginneth to put off the dark Satanic body
Now we behold redemption Now we know that life Eternal
Depends alone upon the Universal hand & not in us"

GOSPEL OF LUKE
2:25-32 - "In Jerusalem was a man by the name of Simeon. He was an upright man, devoted to the service of God, living in expectation of the 'salvation of Israel'. His heart was open to the Holy Spirit, and it had been revealed to him that he would not die before he saw the Lord's Christ. He had been led by the Spirit to go into the Temple, and when Jesus' parents brought the child in to have done to him what the Law required, he took him up in his arms, blessed God, and said - 'At last, Lord, you can dismiss your servant in peace, as you promised! For with my own eyes I have seen your salvation which you have made ready for every people - a light to show truth to the Gentiles and bring glory to your people Israel.'"

ANIMA & EMANATION

Blake’s women - Enitharman, Enion, Ahania, Vala, and Jerusalem are each associated with a male - Los, Tharmas, Urizen, Luvah, and Albion as an Emanation. In Eternity the Emanations do not have a separate existence. As the fall occurs they acquire outer forms, independent wills and the desire to dominate. Daman says they ”fight regeneration (which seems to them like annihilation).”


Marriage of Heaven and Hell, Title page (How many paired figures do you see? and Why is she suspended above the abyss?)

In Jungian psychology there is an aspect of the unconscious which is called the Anima. In the process of individuation, the Anima which has been projected on the people to whom one is related (mother, sister, wife, boss) is explored and assimilated through bringing unconscious material to light. Since the unconscious inner Anima determines relationships to outer persons by projecting the inner content onto real people, outer relationships are repaired by withdrawing projections (removing the Anima’s will or ability to dominate.)

Carl Jung states:
“The projection-forming factor is the anima. Wherever she appears in dreams, phantasies or visions, she appears personified, thereby demonstrating that basically she possesses all the outstanding characteristics of a female person. She is not an invention of the conscious, but a spontaneous production of the unconscious; neither is she a substitute figure for the mother. On the contrary, there is every likelihood that those numinous attributes which make the Mother imago so dangerously powerful derive from the collective archetype, the anima, which is incarnated anew in every male child." (Spring, 1950, p. 5)

Quoted in an article By Paul Watsky

As Blake dealt with unconscious factors in the psyche as characters in his mythic constructions, he explored the relationships and the dynamics of achieving mental wholeness which he associated with Albion and his Emanation Jerusalem. In describing the conclusion of Jerusalem Damon says, “Albion awakes and rises; Jesus appears; and Albion sacrifices himself;...Then Eternity is re-established, and all becomes one in the Divine Vision.” (A Blake Dictionary, page 213)

The following interchange between Enitharmon and Los (Jerusalem, Plate 92) expresses Enitharmon’s fear that she will be replaced by another female if she accepts annihilation but Los reveals that there will be no division into sexes in Eternity.

“My Looms will be no more & I annihilate vanish for ever
Then thou wilt Create another Female according to thy Will.

Los answerd swift as the shuttle of gold. Sexes must vanish & cease
To be, when Albion arises from his dread repose O lovely Enitharmon:”

But as Los states, it is not that the Emanations are lost in Eternity, but that the division into ‘sexes‘ will be no more. The multiple facets of the psyche will be acknowledged, balanced, and restored to their proper roles as they are integrated into a unified functioning whole.

In Blake as in Jung, masculine and feminine aspects of the personality contribute to the complete individual. The Anima in Jung and the Emanations in Blake can be the root of harmful behaviors; but when properly recognized and attended to, they fulfill vital roles in the human psyche.